DAY 3 - thursday
WORKFLOWS, VFX AND MUSIC
DIGITAL WORKFLOWS 1 - From Shoot to Post
„The post starts before the shoot“ has become a standard phrase at the workshop. In this plenary, Miga will explain the workflow and go through the entire process. Starting in pre-production when the format is decided and the camera is chosen, going through the process of testing and getting ready for production.
THURSDAY, OCT 24. 11:45 - 12:45
Miga Bär, The Netherlands
VFX - Best Practices and Basic Techniques
When do you need a green screen and when do you better do without? What does it actually mean when a VFX-supervisor talks about modeling, rigging, texturing and lighting? And when they say that they need to „roto“ that, what do they mean? Why do you need a 3D model for an object in a film that is not in 3D? Where to start with a VFX request and what to allocate for VFX in your budget?
In this plenary, Dennis will go through the basic techniques of visual effects work and explain the terms that everybody likes to be familiar with when dealing with films in post-production. He will show examples from real projects and talk about planning, budgeting and the team working on VFX.
THURSDAY, OCT 24. 13:45 - 15:00
Dennis Kleyn, The Netherlands
DIGITAL WORKFLOWS 2
Dailies Lab and DIT, Preserving the Creative Intent
When moving from film to digital, we suddenly got a new job on-set; the DIT. Who or what did this person replace and what do they do for our production?
How does the work of the DIT connect with the creation of dailies? And why are dailies so important in the first place?
THURSDAY, OCT 24. 15:30 - 16:00
Miga Bär, The Netherlands
PRESS PLAY:
Managing Music in Film, Series & Documentaries
To explain the role of a music supervisor, Laura will take us through the work of a music supervisor, navigating the complexity of music budgets, selecting and licensing songs and developing film scores.
The session will include a Q+A part after Laura’s presentation.
THURSDAY, OCT 24. 16:00 - 17:00
Laura Bell, Australia / The Netherlands