DAY 5 - SATURDAY
deliverables and virtual production & AI
DIGITAL WORKFLOWS 4 - Master Elements
The DCP has been a standard for cinema projection ever since 35mm prints declined. But how does a DCP really work and what do you need to make one? Will the DCP remain the most important delivery format for film with recent releases on streaming platforms only - or using both. Neeltje van der Heijden will go through the steps of making a DCP and how this is related to the delivery elements for a VOD platform: the IMF. Encryption will be covered as well as handling different playlists and subtitles within a DCP and an IMF. In addition, the main delivery elements in today’s world for mastering and archiving will be explained: the DCDM & the DSM.
Neeltje van der Heidjen, The Netherlands
DIGITAL WORKFLOWS 5 - Deliverables
Organizing deliverables for a digital project, especially in a co-production, is one of the most challenging tasks when completing a film. The numerous formats and ever increasing demands from world sales and distributors and changes in how films are released are adding to the complexity. Neeltje van der Heijden will show you how to put together a comprehensible list, and walk-through the different elements. With all that is required - which materials do you really need and what could you negotiate out of your delivery schedule.
SATURDAY, OCT 26. 11:30 - 12:45
VIRTUAL PRODUCTION AND AI
Creating Virtual Worlds
Working with Virtual Production has become quite common in the recent years. After a short introduction to the topic, Dennis Kleyn will show an example of creating a ‘Digital Twin’ for an existing / real location, juxtaposing this to a fictional world that would be created for science-fiction format.
Using AI tools in this context is becoming increasingly useful and Dennis will show examples here.
SATURDAY, OCT 26. 13:45 - 15:00
Dennis Kleyn, The Netherlands