After graduating from the Dutch Film Academy in 2002, Dennis transitioned to visual effects following two years of directing.

In 2004, he founded the visual effects studio ‘Planet X,’ which has since become a key player in the Dutch film industry. The studio delivers creative visual effects for high-end feature films and episodic productions, supported by a dedicated team of more than 30 VFX artists. Planet X is now increasingly involved in international (co-)productions.

Dennis also serves as chairman of the Dutch VFX Association (NVX), which he co-founded in 2014. In 2022 he launched the Netherlands’ first permanent virtual production studio, ReadySet Studios.

A colourist, educator and former technologist at Netflix, Edmond develops and evangelises early look development as the means to create more rewarding visual worlds for characters and audiences.

As a Technologist at Netflix, he was primarily responsible for liaising on technical and creative colour decisions between the studio and partner filmmakers across Europe, the Middle East and Africa.

As a freelance colourist he mainly works on feature films and in 2021 was shortlisted for best Theatrical Feature at the FilmLight Colour Awards. He was former joint head of the UP.GRADE programme.

Gabriel Solis is a sound designer and supervising sound editor from the Pastos territory on the border between Colombia and Ecuador. Based in Estonia since 2018, he has worked across fiction, documentary, animation and sonic arts, exploring spatial and ambisonic sound. He holds a Master in Sonic Arts (cum laude) from Rome Tor Vergata and the Erasmus Mundus KINO EYES in Film Arts. . He's proficient in three languages and conversational in two others.

Hanna-Greth Peetson manages sync and music supervision at Tier Music Publishing, an Estonian company that has established an active network of partners both locally and internationally over the years. The roster of Tier Music Publishing includes more than 25 catalogues of Estonian artists and a selection of talented composers. Additionally, the company organises several international sync songwriting camps each year, focusing on music for films, television, advertisements and video games.

Kaisa "Kaika" Astikainen (born 1982) is a Finnish filmmaker, producer and sustainability specialist. She has worked in the Finnish film- and TV- industry for over 18 years. Astikainen wrote her MA thesis about Green production and has since worked as an environmental strategist, consultant and lecturer in the audiovisual industry.

In 2019 was published "Ekosetti - A Guidebook to Sustainable Audiovisual Production in Finland", and in 2025 its sequel: "Ekosetti in Euros -  A Peek into the Economics of Production Sustainability" - both written together with Anne Puolanne. Astikainen is a PhD student in Aalto University/ ELO Film school with the topic of sustainable filmmaking. 

Katriel Schory studied at the NYU, Film School. An active producer from 1973.

1974 – 1999: Founder and Managing Director of BELFILMS. Produced over 150 films and television  programs, including feature films, documentaries, TV dramas and international co-productions.

From 1999 and for more than 20 years the Executive Director of the Israel Film Fund.

Authorized the support and the promotion of more than 300 full length narrative feature films, in  Israel and worldwide, of which, more than 80 films were international co-productions, mainly with Europe. Among the films he authorized, many won prestigious awards, including 4 “Oscar” nominations for the American Academy; Golden & Silver “Lions” in Venice & “Bears” in Berlin.

Katriel Schory was granted the Chevalier de l'ordre des Arts et des Lettres – France; Berlinale Kamera for Outstanding Contribution to the Film industry; Telluride Film Festival - Special Medallion – for

Outstanding achievements; The VARIETY Award for creative impact; the Fiapf – Int’l Federation of Film Producers Association Award; Jerusalem Film Festival - Lifetime achievement award; Israel Film Academy – Lifetime achievement award.

Board Member of the European Film Academy 2017-2023. Juries: Venice FF, San Sebastian FF, Locarno FF, Istanbul FF, Sarajevo FF, and more.

Miga graduated in 2008 at the Utrecht University of the Arts (AudioVisual Media, BDes). After graduating he started a free-lance practice as postproduction supervisor, which at the time was a position filled by only a handful of people in The Netherlands. After a 3 year detour at The Netherlands Film Festival, where Miga served as Head of Production and IT, he came back to the field of postproduction. This time around he served as Director of Technology and Innovation at Amsterdam based image post house Filmmore.

In 2018 Miga made a leap into the international space, joining Netflix to manage the Production Technology team for Europe, Middle East and Africa (EMEA). In this role he managed a team that supported all Netflix original productions on a technical level, helping the crews to reach the highest technical quality possible and to implement new technologies into their workflows.

As of 2022 Miga offers his services as workflow and postproduction consultant to productions and post houses across the globe and serves as teacher at The Netherlands Film Academy.

Mikael Windelin's career within the film and television industry spans more than 25 years with a strong focus on combining creativity and technology. His focus the last decade as an independent VFX and VP consultant has been on producing visual effects for feature films and TV drama across Europe with use of the latest technology including some of the most challenging Virtual Production shows in Scandinavia.

Between his film projects Mikael is a sought after teacher and keynote speaker on visual effects, previz and virtual production around Europe pushing knowledge of new workflows to both young and seasoned filmmakers. Windelin's work has earned him academy awards in Denmark and Sweden and includes the biggest non English film title on Netflix:Troll.

Scherin has many years of experience in the VFX field and has been involved in many film and series projects, such as “Sterben,” “September 5,” “Nine Perfect Strangers,” and “Dead of Winter”, to name a few.

At LAVAlabs, in her role as Executive VFX Producer and Studio Manager, she oversees the various locations across the region and is responsible for acquiring new projects, maintaining long-standing customer relationships, and ongoing projects.

 I’ve been at Netflix for almost six years, where I lead the Post Production and VFX team for the Nordics. I work closely with talented colleagues, as well as post-production vendors and partners, to ensure our shows and films look and sound their best and bring great stories from the region to our members around the world.

I have been part of the Netflix Nordics Post & VFX team for over four years as the Post & VFX Coordinator. I work closely with our partners across productions, helping them navigate the Netflix ecosystem and supporting some of the region's most talented creatives. I’m passionate about making post-production as smooth and collaborative as possible, and I enjoy exploring how technology can help us achieve great results together.

With more than two decades in the film industry, Tina Mersmann brings a unique blend of production know-how and post-production expertise to every project. After starting out as a production manager and line producer, she made the move into post-production as the field rapidly evolved in the early 2000s. Since 2008, she has worked as a freelance post-production supervisor on feature films and documentaries, with a strong emphasis on international co-productions. Her background in production, including budget management and film set operations, complements her extensive knowledge and expertise in post-production.

Uku Toomet is a founder of Orbital Vox Studios, a long-standing hub in Estonia’s post-production scene. Starting as a small music studio, he grew it into a multi-room facility with cinema-grade and Dolby Atmos mixing, dubbing, and color grading. Alongside studio work, he lectures in film post-production at the Baltic Film and Media School. Formerly an engineer at Estonian Public Broadcasting, he has post-supervised numerous international co-productions and delivered theatrical/TV masters for partners like Charades, among others.

Zacharias Kullman, 34, has over ten years of experience as an audio professional. He works as sound designer, re-recording mixer and studio manager at Post Control Helsinki. Zacharias mainly sound designs and mixes feature films, tv-series and documentaries but now and then short movies and commercials as well.
Some of his more recent works include the Ukrainian feature film Eternity Man (mixed in Dolby Atmos), the Swedish car racing comedy “The Final Race”, the TV-series Healer as well as a documentary series about the Finnish music star Antti Tuisku.